Conflict

There is nothing more important in fiction than conflict. After reading the Writing the Breakout Novel and Writing Great Fiction: Plot and Structure, conflict is paramount. Whether you write genre fiction or literary, you have to conflict.

If it seems that, by reading this post, a light bulb (a compact fluorescent one) went off – it did. I look back at the first novel I wrote and immediately see where the conflict gaps are. According to the books above, there should be conflict on every page. Sounds hard but it’s not tough when you think about it. The main character of your story needs to endure something (save the world, marriage, self, etc) and that requires conflict. Without conflict, one is left reading about the ho-hum stuff of life. That doesn’t make for good fiction. I should know because a big chunk of my first novel has the main character getting out of bed, eating a sandwich, etc. It eventually leads to something but not always conflict.

Conflict supposedly drives the reader for more. It keeps them engage well past the first few pages and hopefully a hell of a lot more.

I’m done summarizing what I’ve learned from Donald Maass’ Writing the Breakout Novel. The book is worth the investment, and lately I’ve been trying to transfer it to my writing. So far so good. The feel of my second novel already seems different. I’m concentrating on conflict, throwing whatever I can at my main character. At the same time, I’m not trying to exhaust the reader but trying to make it difficult for a them to put down my novel. I should know how this all shakes out in a few months when I have a first draft.

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1 Comment

  1. Can’t wait to see how all this pans out. One of these years I’ve got to get back to writing!


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